Abstract
List of Illustrations Acknowledgments Preface Introduction: Connoisseurship in a New Key Gender and the Social Construction of Artistic Identity Gender and the Personal Formation of Artistic Identity PART ONE: A New Magdalen A Tale of Two Pictures Artemisia and Mary Magdalene The Example of Caravaggio The Example of Michelangelo Artemisia as the Allegory of Painting The Magdalen as Melancholy The Reappropriation of Gendered Melancholy PART TWO: The Burghley House Susanna A Problem Picture Susanna in the Garden of Love Susanna as Social Scapegoat The Picture: Technical Analysis and Documentation Collaboration or Unauthorized Alteration? Artemisia and Susanna, Public and Audience Conclusion: The Shaping of a Complex Identity Notes Works Cited Index
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