Abstract
The paper is based on the results of the project All This Painting hasn’t Gone to Waste, 2011, which deals with early 16th century sacral wall paintings in southern Slovenia. It tries to resolve out some dilemmas in communication with the wider public and presents main objectives in regard to awareness-rising and promotion of art heritage, for example encouragement of insti-tutions and individual experts for more intensive study and/or conservation-restoration work.
Highlights
Art history is a scientific discipline which attempts to enlighten a specific genius loci or genius populi of our past times by studying individual works of art and making comparisons between them
Each of them can be considered as a unique tessera in a mosaic-shaped reflexion of life in past time
This article aims to point out some new possibilities of creating the necessary dialogue between art history as a scientific discipline and the general public, which is the key component in putting the theoretical discourse of monument-preservation into practice
Summary
Art history is a scientific discipline which attempts to enlighten a specific genius loci or genius populi of our past times by studying individual works of art and making comparisons between them. In Slovenia, the Institute for the Protection of Cultural Heritage is the most important among them. This article aims to point out some new possibilities of creating the necessary dialogue between art history as a scientific discipline and the general public, which is the key component in putting the theoretical discourse of monument-preservation into practice.
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