Abstract
Change is what keeps the study of classical art and archaeology in business. The stories that we tell of ancient material culture – about form, function, and modes of response – are premised on the continuities that we trace, no less than on our evidence for rift or rupture. In each case, historical analyses ofhowthings developed coalesce with critical attempts to explainwhythey did so. Answers shuffle and shift. But the project of describing and interpreting change remains constant.
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