Approaching the Last Decades of Arabic Manuscript Culture (1870–1930): Materiality

Abstract

Abstract In the late 18th and first half of the 19th century, print gained a permanent foothold in the Middle East and enabled the mass production of books in Arabic, Turkish, and Persian. As a consequence, handwriting gradually ceased to be the primary technology for making books. This article, the second of two, examines the materiality of a selection of Arabic manuscripts mostly made between 1870 and 1930 CE. It shows how scribes not only adapted to the availability of new types of pens or stationery when making their manuscripts, but also that some of them adopted layout choices and paracontent typical of printed books. Tradition and change are both visible in the objects that were analysed, and it is especially against the backdrop of a growing print industry in the Middle East that Arabic manuscript culture’s strengths and its ability to adapt emerge.