Abstract

With miniature microphones inserted into the external ear canals of a model and the sound source 90 degrees to left of midline, low-pass, and broadband noise bursts were picked up and recorded on magnetic tape. The bursts were generated in two highly contrasting acoustic environments: an anechoic and an echoic chamber. The taped sounds were played back monaurally and binaurally via headphones to 16 listeners seated in an acoustically neutral setting. They were instructed to estimate the distance of the stimuli. Apparent distances of bursts recorded in the echoic or reverberant chamber far exceeded those recorded in the anechoic chamber. It mattered not whether the sounds were presented monaurally or binaurally. What did influence distance estimates dramatically was the frequency composition of the stimuli. Low-pass sounds recorded in either acoustic environment were consistently judged to be further removed than high-pass sounds recorded in the same setting. They were also more likely to appear from behind the listener. In our moment-to-moment transaction with the acoustic environment, distant sounds generally have less acoustic energy in the higher audio frequency. We suggest that this lifetime of auditory experience influenced our listeners' scale of relative distance.

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