Abstract
Abstract A joint exhibition of Ansel Adams's Museum Set portfolio of seventy-five images plus one hundred photographs selected from his centennial project for the University of California, Fiat Lux, was due to open at the University of California, Irvine, on 8 January 1991. The installation of The Museum Set photographs was near completion when museum scientist and installation designer, Phyllis Lutjeans, noticed that Sequoia Gigantea Roots, Yosemite National Park, California, c.1950 (figures 1 and 2), plate number 55 in the exhibition catalogue,1 was reversed, from the image hanging on the wall before her. Ms Lutjeans had been using the catalogue as a guide to affix labels for the exhibition.
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