Abstract
This essay seeks to explore the themes inherent to the concept of métissage, which renders it peculiarly fecund with anthropological possibilities. Some of the ideologies explicated are commonly accepted as expressive of the term itself; others require appropriation and incorporation but are in keeping with the general themes of hybridity and multiplicity identifiable as métis(se) formulations. What follows then is an outline of the current usages of métissage and its possibilities for anthropological reflexivity in regard to Black British Christian women.
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