Animal Acts: Performing Species Today. Edited by Una Chaudhuri and Holly Hughes. Ann Arbor: University of Michigan Press, 2014; 254 pp.; illustrations. $90.00 cloth, $35.00 paper, e-book available

September 01 2020 Performance Constellations: Networks of Protest and Activism in Latin America Performance Constellations: Networks of Protest and Activism in Latin America. By Marcela A.Fuentes. Ann Arbor: University of Michigan Press, 2019; 178 pp.; illustrations. $75.00 cloth, $24.95 paper, e-book available. Marlon Jiménez Oviedo Marlon Jiménez Oviedo Marlon Jiménez Oviedo is a PhD student in Theatre Arts and Performance Studies and an MA student in Development Studies at Brown University. His research focuses on movement traditions that live outside systems of authorship and stage or museum spaces, decolonial movements, and the transnational movements of neoliberal capitalism. marlon_jimenez_oviedo@brown.edu Search for other works by this author on: This Site Google Scholar Author and Article Information Marlon Jiménez Oviedo Marlon Jiménez Oviedo is a PhD student in Theatre Arts and Performance Studies and an MA student in Development Studies at Brown University. His research focuses on movement traditions that live outside systems of authorship and stage or museum spaces, decolonial movements, and the transnational movements of neoliberal capitalism. marlon_jimenez_oviedo@brown.edu Online Issn: 1531-4715 Print Issn: 1054-2043 ©2020 New York University and the Massachusetts Institute of Technology2020New York University and the Massachusetts Institute of Technology TDR/The Drama Review (2020) 64 (3 (247)): 174–176. https://doi.org/10.1162/dram_r_00954 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Marlon Jiménez Oviedo; Performance Constellations: Networks of Protest and Activism in Latin America. TDR/The Drama Review 2020; 64: 3 (247), 174–176. doi: https://doi.org/10.1162/dram_r_00954 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. ©2020 New York University and the Massachusetts Institute of Technology2020New York University and the Massachusetts Institute of Technology Article PDF first page preview Close Modal You do not currently have access to this content.

June 01 2008 Restaging the Sixties: Radical Theaters and Their Legacies. Edited by James M. Harding and Cindy Rosenthal. Ann Arbor: University of Michigan Press, 2006; 464 pp.; illustrations. $75.00 cloth, $35.00 paper Kimberly Jannarone Kimberly Jannarone Search for other works by this author on: This Site Google Scholar Author and Article Information Kimberly Jannarone Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2008 Massachusetts Institute of Technology2008 TDR/The Drama Review (2008) 52 (2 (198)): 185–187. https://doi.org/10.1162/dram.2008.52.2.185 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Kimberly Jannarone; Restaging the Sixties: Radical Theaters and Their Legacies. Edited by James M. Harding and Cindy Rosenthal. Ann Arbor: University of Michigan Press, 2006; 464 pp.; illustrations. $75.00 cloth, $35.00 paper. TDR/The Drama Review 2008; 52: 2 (198), 185–187. doi: https://doi.org/10.1162/dram.2008.52.2.185 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2008 Massachusetts Institute of Technology2008 Article PDF first page preview Close Modal You do not currently have access to this content.

March 01 2004 Regime Change: King Lear in Los Angeles, George Bush in Iraq, Americans in France Una Chaudhuri Una Chaudhuri Professor of English and Drama at New York University. She is the author of No Man's Stage: A Semiotic Study of Jean Genet's Plays (UMI Research Press, 1986) and Staging Place: The Geography of Modern Drama (University of Michigan Press, 1985), editor of Rachel's Brain and Other Storms: The Performance Scripts of Rachel Rosenthal (Continuum, 2001), coeditor of Land/Scape/Theater (University of Michigan, 2002), and guest editor of a special issue of Yale's Theater magazine on “Theater and Ecology” (25:1, 1995). Search for other works by this author on: This Site Google Scholar Author and Article Information Una Chaudhuri Professor of English and Drama at New York University. She is the author of No Man's Stage: A Semiotic Study of Jean Genet's Plays (UMI Research Press, 1986) and Staging Place: The Geography of Modern Drama (University of Michigan Press, 1985), editor of Rachel's Brain and Other Storms: The Performance Scripts of Rachel Rosenthal (Continuum, 2001), coeditor of Land/Scape/Theater (University of Michigan, 2002), and guest editor of a special issue of Yale's Theater magazine on “Theater and Ecology” (25:1, 1995). Online Issn: 1531-4715 Print Issn: 1054-2043 © 2004 New York University and the Massachusetts Institute of Technology2004 TDR/The Drama Review (2004) 48 (1 (181)): 86–94. https://doi.org/10.1162/105420404772990691 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Una Chaudhuri; Regime Change: King Lear in Los Angeles, George Bush in Iraq, Americans in France. TDR/The Drama Review 2004; 48: 1 (181), 86–94. doi: https://doi.org/10.1162/105420404772990691 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2004 New York University and the Massachusetts Institute of Technology2004 Article PDF first page preview Close Modal You do not currently have access to this content.

September 01 2002 The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900–1940; Performing Blackness: Enactments of African-American Modernism; No Surrender! No Retreat! African American Pioneer Performers of Twentieth-Century American Theater The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900–1940. By George-GravesNadine . New York: St. Martin's Press, 2000; 183 pp.; illustrations. $45.00 cloth.Performing Blackness: Enactments of African-American Modernism. By BenstonKimberly W. . New York: Routledge, 2000; 386 pp.; illustrated; $85.00 cloth; $27.99 paper.No Surrender! No Retreat! African American Pioneer Performers of Twentieth-Century American Theater. By GillGlenda E. . New York: St. Martin's Press, 2000; 230 pp.; illustrations. $49.95 cloth. Barbara Lewis Barbara Lewis Teaches in the Gallatin Division of New York University, and is editing an anthology Search for other works by this author on: This Site Google Scholar Author and Article Information Barbara Lewis Teaches in the Gallatin Division of New York University, and is editing an anthology Online Issn: 1531-4715 Print Issn: 1054-2043 © 2002 New York University and the Massachusetts Institute of Technology2002 TDR/The Drama Review (2002) 46 (3 (175)): 172–175. https://doi.org/10.1162/dram.2002.46.3.172 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Barbara Lewis; The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900–1940; Performing Blackness: Enactments of African-American Modernism; No Surrender! No Retreat! African American Pioneer Performers of Twentieth-Century American Theater. TDR/The Drama Review 2002; 46: 3 (175), 172–175. doi: https://doi.org/10.1162/dram.2002.46.3.172 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2002 New York University and the Massachusetts Institute of Technology2002 Article PDF first page preview Close Modal You do not currently have access to this content.

June 01 2006 Disorientalism: Minority and Visuality in Imperial London Nicholas Mirzoeff Nicholas Mirzoeff Nicholas Mirzoeff is Professor of Art and Art Professions at New York University, where he is also Affiliate Faculty in Performance Studies. Search for other works by this author on: This Site Google Scholar Author and Article Information Nicholas Mirzoeff Nicholas Mirzoeff is Professor of Art and Art Professions at New York University, where he is also Affiliate Faculty in Performance Studies. 1His work has centered on the theorization of visual culture as a field of study in books including Silent Poetry: Deafness, Sign and Visual Culture in Modern France (Princeton, 1995) and An Introduction to Visual Culture (Routledge, 1999). His most recent book is Watching Babylon: The War in Iraq and Global Visual Culture (Routledge, 2005). This essay is part of a long-term project under the working title Visual Rights: Minority and Modernity. In 2005 he was Canterbury Visiting Professor at the University of Canterbury, Christchurch, New Zealand. Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2006 New York University and the Massachusetts Institute of Technology2006 TDR/The Drama Review (2006) 50 (2 (190)): 52–69. https://doi.org/10.1162/dram.2006.50.2.52 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Nicholas Mirzoeff; Disorientalism: Minority and Visuality in Imperial London. TDR/The Drama Review 2006; 50: 2 (190), 52–69. doi: https://doi.org/10.1162/dram.2006.50.2.52 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2006 New York University and the Massachusetts Institute of Technology2006 Article PDF first page preview Close Modal You do not currently have access to this content.

September 01 2017 Sensational Flesh: Race, Power, and Masochism Sensational Flesh: Race, Power, and Masochism. By Amber JamillaMusser. New York: New York University Press, 2014; 254 pp.; $89.00 cloth, $24.00 paper, e-book available. E. Hella Tsaconas E. Hella Tsaconas E. Hella Tsaconas is a PhD candidate in the Department of Performance Studies at NYU. Her dissertation project, “Spectacular Fitness: Sex, Race and the Performance of Athletic Capacity,” spans performance art, elite sport, and postindustrial fitness cultures in order to theorize the training of bodies and subjects under the conditions of neoliberal capitalism. Her writing has appeared in Women & Performance and Feminist Formations. eht227@nyu.edu Search for other works by this author on: This Site Google Scholar Author and Article Information E. Hella Tsaconas E. Hella Tsaconas is a PhD candidate in the Department of Performance Studies at NYU. Her dissertation project, “Spectacular Fitness: Sex, Race and the Performance of Athletic Capacity,” spans performance art, elite sport, and postindustrial fitness cultures in order to theorize the training of bodies and subjects under the conditions of neoliberal capitalism. Her writing has appeared in Women & Performance and Feminist Formations. eht227@nyu.edu Online Issn: 1531-4715 Print Issn: 1054-2043 ©2017 New York University and the Massachusetts Institute of Technology2017New York University and the Massachusetts Institute of Technology TDR/The Drama Review (2017) 61 (3 (235)): 184–185. https://doi.org/10.1162/DRAM_r_00684 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation E. Hella Tsaconas; Sensational Flesh: Race, Power, and Masochism. TDR/The Drama Review 2017; 61: 3 (235), 184–185. doi: https://doi.org/10.1162/DRAM_r_00684 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. ©2017 New York University and the Massachusetts Institute of Technology2017New York University and the Massachusetts Institute of Technology Article PDF first page preview Close Modal You do not currently have access to this content.

December 01 2018 Black Performance on the Outskirts of the Left: A History of the Impossible Black Performance on the Outskirts of the Left: A History of the Impossible. By MalikGaines. New York: New York University Press, 2017; 248 pp.; illustrations. $89.00 cloth, $28.00 paper, e-book available. Camille S. Owens Camille S. Owens Camille S. Owens is a PhD Candidate in African American Studies and American Studies at Yale University. Her dissertation, “Blackness and the Human Child: Race, Prodigy, and the Logic of American Childhood,” traces a genealogy of 19th- and 20th-century black prodigy performances to explore intersections of race and child development as measures of the Human. camille.owens@yale.edu Search for other works by this author on: This Site Google Scholar Author and Article Information Camille S. Owens Camille S. Owens is a PhD Candidate in African American Studies and American Studies at Yale University. Her dissertation, “Blackness and the Human Child: Race, Prodigy, and the Logic of American Childhood,” traces a genealogy of 19th- and 20th-century black prodigy performances to explore intersections of race and child development as measures of the Human. camille.owens@yale.edu Online Issn: 1531-4715 Print Issn: 1054-2043 ©2018 New York University and the Massachusetts Institute of Technology2018New York University and the Massachusetts Institute of Technology TDR/The Drama Review (2018) 62 (4 (240)): 161–162. https://doi.org/10.1162/dram_r_00801 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Camille S. Owens; Black Performance on the Outskirts of the Left: A History of the Impossible. TDR/The Drama Review 2018; 62: 4 (240), 161–162. doi: https://doi.org/10.1162/dram_r_00801 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. ©2018 New York University and the Massachusetts Institute of Technology2018New York University and the Massachusetts Institute of Technology Article PDF first page preview Close Modal You do not currently have access to this content.

June 01 2004 Sniff Art Jessica Chalmers, Jessica Chalmers Assistant Professor at the University of Notre Dame. She is currently working on a performance about the 1963 demise of the Studebaker Corporation, in conjunction with the Builders Association, scheduled to open in Fall 2004. Search for other works by this author on: This Site Google Scholar Una Chaudhuri Una Chaudhuri Professor of English and Drama at New York University. She is the author of No Man's Stage: A Semiotic Study of Jean Genet's Plays (UMI Research Press, 1986) and Staging Place: The Geography of Modern Drama (University of Michigan Press, 1995), editor of Rachel's Brain and Other Storms: The Performance Scripts of Rachel Rosenthal (Continuum, 2001), coeditor of Land/Scape/Theater (University of Michigan, 2002), and guest editor of a special issue of Yale's Theater magazine on “Theater and Ecology” (25:1, 1995). Search for other works by this author on: This Site Google Scholar Author and Article Information Jessica Chalmers Assistant Professor at the University of Notre Dame. She is currently working on a performance about the 1963 demise of the Studebaker Corporation, in conjunction with the Builders Association, scheduled to open in Fall 2004. Una Chaudhuri Professor of English and Drama at New York University. She is the author of No Man's Stage: A Semiotic Study of Jean Genet's Plays (UMI Research Press, 1986) and Staging Place: The Geography of Modern Drama (University of Michigan Press, 1995), editor of Rachel's Brain and Other Storms: The Performance Scripts of Rachel Rosenthal (Continuum, 2001), coeditor of Land/Scape/Theater (University of Michigan, 2002), and guest editor of a special issue of Yale's Theater magazine on “Theater and Ecology” (25:1, 1995). Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2004 Massachusetts Institute of Technology2004 TDR/The Drama Review (2004) 48 (2 (182)): 76–80. https://doi.org/10.1162/dram.2004.48.2.76 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Jessica Chalmers, Una Chaudhuri; Sniff Art. TDR/The Drama Review 2004; 48: 2 (182), 76–80. doi: https://doi.org/10.1162/dram.2004.48.2.76 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2004 Massachusetts Institute of Technology2004 Article PDF first page preview Close Modal You do not currently have access to this content.

June 01 2019 Archive Everything: Mapping the Everyday; Documenting Performance: The Context and Processes of Digital Curation and Archiving; Rogue Archives: Digital Cultural Memory and Media Fandom Archive Everything: Mapping the Everyday. By GabriellaGiannachi. Cambridge, MA: The MIT Press, 2016; 240 pp.; illustrations. $42.00 cloth.Documenting Performance: The Context and Processes of Digital Curation and Archiving. Edited by ToniSant. London: Bloomsbury Publishing, 2017; 360 pp.; illustrations. $79.20 cloth, $26.96 paper, e-book available.Rogue Archives: Digital Cultural Memory and Media Fandom. By AbigailDe Kosnik. Cambridge, MA: The MIT Press, 2016; 440 pp.; illustrations. $45.00 cloth. Christina Yang Christina Yang Christina Yang is a PhD candidate in Performance Studies at NYU’s Tisch School of the Arts working on spectatorship, politics of the image, and contemporary art. She is the coauthor of “How to Make Art with Places, People, and Things” for Guggenheim Social Practice (Guggenheim Museum, 2018). cry219@nyu.edu Search for other works by this author on: This Site Google Scholar Author and Article Information Christina Yang Christina Yang is a PhD candidate in Performance Studies at NYU’s Tisch School of the Arts working on spectatorship, politics of the image, and contemporary art. She is the coauthor of “How to Make Art with Places, People, and Things” for Guggenheim Social Practice (Guggenheim Museum, 2018). cry219@nyu.edu Online Issn: 1531-4715 Print Issn: 1054-2043 ©2019 New York University and the Massachusetts Institute of Technology2019New York University and the Massachusetts Institute of Technology TDR/The Drama Review (2019) 63 (2 (242)): 187–191. https://doi.org/10.1162/dram_r_00849 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Christina Yang; Archive Everything: Mapping the Everyday; Documenting Performance: The Context and Processes of Digital Curation and Archiving; Rogue Archives: Digital Cultural Memory and Media Fandom. TDR/The Drama Review 2019; 63: 2 (242), 187–191. doi: https://doi.org/10.1162/dram_r_00849 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. ©2019 New York University and the Massachusetts Institute of Technology2019New York University and the Massachusetts Institute of Technology Article PDF first page preview Close Modal You do not currently have access to this content.

September 01 2002 Staging Tourism: Bodies on Display from Waikiki to Sea World Staging Tourism: Bodies on Display from Waikiki to Sea World. By DesmondJane C. . Chicago and London: The University of Chicago Press, 1999; xxv + 336 pp.; illustrations. $30.00 cloth. Sharon Mazer Sharon Mazer Head of the Department of Theatre and Film Studies at the University of Canterbury in Christchurch, New Zealand Search for other works by this author on: This Site Google Scholar Author and Article Information Sharon Mazer Head of the Department of Theatre and Film Studies at the University of Canterbury in Christchurch, New Zealand Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2002 New York University and the Massachusetts Institute of Technology2002 TDR/The Drama Review (2002) 46 (3 (175)): 170–172. https://doi.org/10.1162/dram.2002.46.3.170 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Sharon Mazer; Staging Tourism: Bodies on Display from Waikiki to Sea World. TDR/The Drama Review 2002; 46: 3 (175), 170–172. doi: https://doi.org/10.1162/dram.2002.46.3.170 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2002 New York University and the Massachusetts Institute of Technology2002 Article PDF first page preview Close Modal You do not currently have access to this content.

March 01 2018 More Books Michell Nicole Miller Michell Nicole Miller Michell Nicole Miller is a doctoral student in the Department of Performance Studies at Northwestern University. michellmiller2022@u.northwestern.edu Search for other works by this author on: This Site Google Scholar Author and Article Information Michell Nicole Miller Michell Nicole Miller is a doctoral student in the Department of Performance Studies at Northwestern University. michellmiller2022@u.northwestern.edu Online Issn: 1531-4715 Print Issn: 1054-2043 ©2018 New York University and the Massachusetts Institute of Technology2018New York University and the Massachusetts Institute of Technology TDR/The Drama Review (2018) 62 (1 (237)): 222–224. https://doi.org/10.1162/DRAM_r_00741 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Michell Nicole Miller; More Books. TDR/The Drama Review 2018; 62: 1 (237), 222–224. doi: https://doi.org/10.1162/DRAM_r_00741 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. ©2018 New York University and the Massachusetts Institute of Technology2018New York University and the Massachusetts Institute of Technology Article PDF first page preview Close Modal You do not currently have access to this content.

March 01 1998 Dancing: A Letter from New York City Ann Daly Ann Daly Visiting Associate Professor of Performance Studies at Tisch School of the Arts/NYU in 1996/97, is Associate Professor of Dance History/Criticism at The Uni-versity of Texas at Austin. Search for other works by this author on: This Site Google Scholar Author and Article Information Ann Daly Visiting Associate Professor of Performance Studies at Tisch School of the Arts/NYU in 1996/97, is Associate Professor of Dance History/Criticism at The Uni-versity of Texas at Austin. Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 1998 New York University and the Massachusetts Institute of Technology1998 TDR/The Drama Review (1998) 42 (1 (157)): 15–23. https://doi.org/10.1162/105420498760308634 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Ann Daly; Dancing: A Letter from New York City. TDR/The Drama Review 1998; 42: 1 (157), 15–23. doi: https://doi.org/10.1162/105420498760308634 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 1998 New York University and the Massachusetts Institute of Technology1998 Article PDF first page preview Close Modal You do not currently have access to this content.

September 01 1998 Chinese in Trinidad Carnival Carlisle Chang Carlisle Chang Native of Trinidad. Although he is better known in his country as a mural and easel painter, he also designs for theatre and ballet. He has been involved in the promotion of art throughout his 60-year-long career, holding the Hummingbird Medal for Community Service, the bronze medal of the VII Sao Paulo Bienal for painting (1963), and a citation from the Press Club of Lausanne (1972) for Best Foreign Pavilion at the Comptoire Suisse. His paintings have been exhibited in group shows in Europe, London, and the United States. Mr. Chang was also responsible for designing his country's flag and coat-of-arms Search for other works by this author on: This Site Google Scholar Author and Article Information Carlisle Chang Native of Trinidad. Although he is better known in his country as a mural and easel painter, he also designs for theatre and ballet. He has been involved in the promotion of art throughout his 60-year-long career, holding the Hummingbird Medal for Community Service, the bronze medal of the VII Sao Paulo Bienal for painting (1963), and a citation from the Press Club of Lausanne (1972) for Best Foreign Pavilion at the Comptoire Suisse. His paintings have been exhibited in group shows in Europe, London, and the United States. Mr. Chang was also responsible for designing his country's flag and coat-of-arms Online Issn: 1531-4715 Print Issn: 1054-2043 © 1998 New York University and the Massachusetts Institute of Technology1998 TDR/The Drama Review (1998) 42 (3 (159)): 213–219. https://doi.org/10.1162/105420498760308571 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Carlisle Chang; Chinese in Trinidad Carnival. TDR/The Drama Review 1998; 42: 3 (159), 213–219. doi: https://doi.org/10.1162/105420498760308571 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 1998 New York University and the Massachusetts Institute of Technology1998 Article PDF first page preview Close Modal You do not currently have access to this content.

December 01 2003 Why Are Artists Poor? The Exceptional Economy of the Arts Why Are Artists Poor? The Exceptional Economy of the Arts. By AbbingHans Randy Martin Randy Martin Professor of Art and Public Policy and Associate Dean of Faculty and Interdisciplinary Programs at Tisch School of the Arts/NYU Search for other works by this author on: This Site Google Scholar Author and Article Information Randy Martin Professor of Art and Public Policy and Associate Dean of Faculty and Interdisciplinary Programs at Tisch School of the Arts/NYU Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2003 New York University and the Massachusetts Institute of Technology2003 TDR/The Drama Review (2003) 47 (4 (180)): 192–194. https://doi.org/10.1162/dram.2003.47.4.192 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Randy Martin; Why Are Artists Poor? The Exceptional Economy of the Arts. TDR/The Drama Review 2003; 47: 4 (180), 192–194. doi: https://doi.org/10.1162/dram.2003.47.4.192 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2003 New York University and the Massachusetts Institute of Technology2003 Article PDF first page preview Close Modal You do not currently have access to this content.

September 01 2016 Learning How to Fall: Art and Culture after September 11. By T. Nikki Cesare Schotzko. London: Routledge, 2015; 211 pp.; illustrations. $130.00 cloth, $47.95 paper Patrick McKelvey Patrick McKelvey Search for other works by this author on: This Site Google Scholar Author and Article Information Patrick McKelvey Online Issn: 1531-4715 Print Issn: 1054-2043 ©2016 New York University and the Massachusetts Institute of Technology2016 TDR/The Drama Review (2016) 60 (3 (231)): 185–186. https://doi.org/10.1162/DRAM_r_00582 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Patrick McKelvey; Learning How to Fall: Art and Culture after September 11. By T. Nikki Cesare Schotzko. London: Routledge, 2015; 211 pp.; illustrations. $130.00 cloth, $47.95 paper. TDR/The Drama Review 2016; 60: 3 (231), 185–186. doi: https://doi.org/10.1162/DRAM_r_00582 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. ©2016 New York University and the Massachusetts Institute of Technology2016 Article PDF first page preview Close Modal You do not currently have access to this content.