Analyzing cultural politics through the “dancing body”: a study of Assamese item songs in India

Abstract

ABSTRACT This paper traces the movement of “item numbers” from mainstream Bollywood culture to the regional culture of Assam. Given the level of eroticism that is part of such songs, the paper will specifically explore the means of surveillance and control that these “non-normative” cultural texts are subjected to within a local spatial context. By deconstructing this inter-cultural movement of performance, the paper attempts to reveal whether and how cultural appropriation of the “mainstream” by the “periphery” functions to keep the power dynamics of gender and national/sub-national identities intact. Based on visual methodology and textual analysis of Assamese item songs and cringe pop songs, the paper will theorize the regulation of bodies in these spaces. Understanding the renewed relationship between music and bodies in a new context will situate the gendered nature of body-space politics through item numbers. While, on the one hand, the dancing body has the capability to subvert gender norms, on the other hand, the same dancing body is often controlled through hyper-nationalist imaginations.