Abstract
In the twenty-first century, Chinese printmaking has evolved towards introspection and integration with contemporary cultural landscapes. To analyze the development of Chinese printmaking in the past decade. The study used bibliographic review and analysis of printmaking exhibitions, artworks, and theoretical frameworks. Over the past decade, Chinese printmaking has shown increased activity, evolving its own contemporary language and ecological features. Exhibitions like the National Printmaking Exhibition and Mission Hills International Printmaking Biennale have been crucial in this development. Chinese printmaking has successfully revitalized its ontological language, establishing a distinctive aesthetic and cultural identity that responds to contemporary challenges.
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