Abstract

À partir du récit de la cure d’Alice relatée par Michèle Van Lysebeth-Ledent et du célèbre conte de Perrault Peau d’âne comme métaphore, l’auteur visite le caractère défensif de la notion de moi inconscient, ses mécanismes, le clivage et le déni, ainsi que son inclinaison vers la régressivité pulsionnelle.

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