Abstract
The Third Piano Concerto by Aleksandar Obradović, composed in 1999, is one of the authorgs late works. While the poetical concept of the composition reflects the authorgs personal reaction to the events from that period, aesthetically it shows that the coexistence of different compositional and technical patterns is possible, amalgamated within a unique stylistic procedure of the work. According to its compositional and technical procedures, the concerto belongs to the class of neoclassical pieces which, apart from confirming Obradoviügs openness towards various musical solutions, attests to resorting to designs that stem from an extramusical stimulus to creativity.
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