Abstract
ABSTRACT This article aims to analyse three early modern city comedies, which are Thomas Dekker and John Webster's Westward Ho and Northward Ho, and Ben Jonson, George Chapman and John Marston's Eastward Ho, to point to the intra-action between the human body and air. The analyses of these plays provide an insight into how air pollution and early phases of toxicity in the city shows the influence of the airy agency on human and nonhuman bodies. In this context, these three city comedies mention the difference between urban (polluted) and rural (fresh) air. The aim of this study is, thus, to trace the impacts of the airy agency in the early modern period on the human body, life, nature, and culture with references to the Ho trilogy.
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