Abstract
Catalan playwright, director and teacher Adrià Gual was a key figure in the development of modernista theatre. With his emphasis on theatre as artistic synthesis, Gual's multi-faceted work mirrors that of other European innovators and lays the path towards theatrical renovation in Catalonia and in Spain more generally. The visual element is a key component of his approach, and is reflected in his costume designs and illustrations to printed play texts. This article considers his work in two areas: Oscar Wilde's Salomé – perhaps the archetypical Symbolist play – and the commedia dell'arte spectacles he devised for performance in 1912 and 1927. The article also considers Salvador Dalí's set design for the latter, and allows us to highlight connections with the theatre design work of other avant-garde artists.
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