Abstract
The acoustical environment of small viewing or review rooms in studio or recording complexes can be controlled over wide limits even though the reverberation time is low and inherently limited in range. Echograms from model studies show that the growth period of the aural impression is controllable by orientation of sound-diffusing reflecting surfaces. Results reinforce the emerging conviction that envelopment in early echoettes is a separate factor from reverberance in determining the impression of liveness in music rooms.
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