Abstract
Abstract This essay places the poetry of Una Marson (Jamaica) in conversation with that of Dionne Brand (Trinidad and Tobago) in order to revisit and explore the importance of Pan-Africanism in the Caribbean imagination. More precisely, it examines the role of Pan-African feminist humanisms in Caribbean women’s poetry as a means to demonstrate how the creative can bring forth a different understanding and a rearticulation of subjectivity, discourse, belonging, and power beyond the rigid limitations imposed by Western epistemologies.
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