A Short Report on the Ghana Railway Archive in Sekondi-Takoradi

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Abstract This short report discusses the resources to be found in the Railway Archive in Sekondi-Takoradi, Ghana. This report is also the result of various exploratory missions, as part of a cooperative effort between the Ghana Railway Company, the Institute of African Studies of the University of Ghana, and the International Institute of Social History, the Netherlands. The archive under consideration is classified as an institutional archive which provides unique insights into the social and labor history of Ghana– then Gold Coast– with some connections to West Africa and Great Britain. The archives provide additional material to the resources in the national archives in Ghana, best known as the Public Records and Archives Administration Department (PRAAD).

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Retuning Imperial IntentionsThe Gold Coast Police Band, West African Students, and a 1947 Tour of Great Britain Nate Plageman In December 1947, H. M. Collins of the West Africa Section of the British Colonial Office penned a letter to Tom Stenning, the bandmaster of the Gold Coast Police Band in Accra. The two-page letter, which Collins insisted was long overdue, concerned the Band's recently completed four-month tour of Great Britain. From early May until mid-September, the Band, which comprised 34 members of the colony's police force, had traveled throughout England, Wales, and Scotland, giving dozens of public performances, appearing on British Broadcasting Corporation (BBC) radio and television programs, and gaining great fanfare in the British press. Stenning, who had overseen the ensemble since 1943, had joined Collins as one of the colonial officials charged with ensuring that the tour's audiences obtained an "education" about the Gold Coast and the wider merits of British imperialism. In fact, the Gold Coast government and Colonial Office crafted the Band's tour—likely the longest by a colonial ensemble on British soil—with the hope that its martial appearance and vast repertoire of military music, swing numbers, light operas, and popular tunes would rekindle audiences' enthusiasm for colonialism's ability to benefit and "civilize" African peoples.1 Collins insisted that their efforts had been remarkably successful; the Band, he proclaimed, had enraptured the British public and "made the Gold Coast a household word throughout Britain, the Empire and other parts of the world."2 [End Page 111] If Collins's letter embodies the unbridled optimism that British officials had in their ability to "anticipate and mould" Empire's future following the Second World War (Pearce, 1982, p. 162), it also reflects the challenge of using colonial records to reconstruct state-sponsored musical events not as acts of prepared propaganda, but as multifaceted and multidirectional popular musical happenings. Because the 1947 tour was an unprecedented imperial initiative, it is the subject of hundreds of administrative reports, circulars, and exchanges now contained in archival files held in the National Archives (TNA) in Kew, England, and, to some extent, the main repository of Ghana's Public Records and Archives Administration Department (PRAAD) in Accra. As I have discussed elsewhere (Plageman, 2016), this extensive paper trail—which constitutes the largest corpus of records on a single musical event in the colony's history—documents the tour British officials wanted to take place far more than that which actually did. Nearly two-thirds of their contents concerns the tour's planning and organization: an imbalance that amplifies officials' ambitions and mutes what occurred once the Band arrived on British soil. Remaining documents perpetuate additional silences, providing almost no insight into the physical or social settings of the Band's performances, the aural or visual aspects of individual concerts, or the songs it played onstage (such records do not, for instance, contain a single program from any of the group's concerts).3Outside of numerical estimates and blanket statements about their enthusiastic responses to the Band, they also say little about the tour's audiences, their demographic makeup, or their actual levels of engagement with the group and its music. Last, documentation offers practically nothing about the bandsmen, omitting basic material such as their full names.4 In short, the tour's vast archival record ignores—even works to erase—the human, sonic, and creative elements that give musical events significance and meaning. In the pages that follow, I analyze the 1947 tour not as a state-directed showcase of Empire, but as a creative act of Ghanaian popular music. As John Collins has so poignantly revealed, Ghanaian artists and audiences [End Page 112] repeatedly employed popular music as a medium of enjoyment and empowerment; a means of actively shaping, not simply reacting to, the wider transformations of the 20th century. In uncovering their actions and agency, Collins (1994, 1996b, 2005a) has unveiled remarkable insights into how otherwise invisible people decolonized imported cultural resources, recovered lost histories, and outlined imagined futures. Propelled by his groundbreaking work, others have explored how Ghanaians used popular music to define and debate modernity, claim connections to...

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One aspect of administrative history that was bequeathed by British colonialism in Northern Ghana from 1898 to 1950 was that of tax collection. This came in two phases: the first commenced from 1898 to1930. This study is concerned with the second period that lasted from 1930 to 1950. Within this period the purpose or objective of the study argues that a clear tax policy was formulated for Northern Ghana which marked the re-introduction of direct taxation that was systematically imposed under a system of Native Administration based on the principles of indirect rule. Much archival material was obtained in the Public Records and Archival Administration Department both in Accra and Tamale. Oral interviews were carried out that engaged elderly people who hail from the North. Information was equally gathered from chiefs and educated elites who come from the area. Some of the latter are teachers in universities in Ghana. Secondary source material such as books and journals enhanced the study. Thorough preparations were made by the British regime towards the re-introduction of direct taxation culminating in its return. The study outlines the nature and method of collection, the expenditure that was entailed, and the social effects that direct taxation bestowed on the traditional social life of the inhabitants. The article concludes that tax collection in Northern Ghana was thus one of the most successful policies that was carried out by the British and that actual developments resulting in the provision of social infrastructure began with the re-introduction of direct taxation under the Native Administration systemKeywords: Native Administration, Customary Tribute, Nominal Rolls, Native Authorities, Metal Discs

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Reviews
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Catalogue of seals in the Public Record Office: monastic seals, Volume I Compiled by Roger H. Ellis London: HMSO, 1986 viii + 104 pp., 56 plates. £25 The records of a commission of sewers for Wiggenhall, 1319‐1324 Edited by A. E. B. Owen William Asshebourne's book Edited by D. M. Owen Norfolk Record Society Publications, Volume 48, 1984 for 1981 122 pp. Calendar of entries in the Papal Registers relating to Great Britain and Ireland. Papal Letters, Vol. XVIII. Pius III and Julius II: Vatican Registers (1503‐1513), Lateran Registers (1503‐1508) Edited by Michael J. Haren Dublin: Stationery Office for the Irish Manuscripts Commission, 1989 lxxiii + 751 pp., illus. IR£50 The commissions for building fifty new churches: the minute books, 1711‐27, a calendar Edited by M. H. Port London Record Society Publications, Volume XXIII, 1986 xl + 193 pp. £12 to non‐members Papers of British politicians 1782‐1900 London: HMSO for the Royal Commission on Historical Manuscripts, Guides to Sources for British History 7, 1989 xi+ 125 pp. £10.95 Women's words. A guide to manuscripts and archives in the Alexander Turnbull Library relating to women in the nineteenth century Compiled by Diana Meads, Philip Rainer and Kay Sanderson Wellington: Alexander Turnbull Library, National Library of New Zealand, 1988 xi + 137 pp., illus. NZ$22 Manuscript sources for women's history: a descriptive list of holdings in the Special Collections Department, revised edition Atlanta: Special Collections Department, Robert W. Woodruff Library, Emory University, 1987 27 pp. Free Guide to the Sources of Asian History International Council on Archives India 3.1: National Archives. New Delhi: National Archives of India, 1987. 165 pp. Indonesia 4.1: National Archives (part 1, institutional archives; part 2, local archives). Edited by Mona Lohanda. Jakarta: National Archives of Indonesia, 1989. 214 pp. Guide to the sources of Korean history. Seoul: Government Archives and Records Service, 1990. 738 pp. National History Guide Committee (Nepal) Source Manual Series, nos. 1‐3. Edited by Shaphalya Amatya. Kathmandu: National Archives, 1988‐90. 105 + 166 + 150 pp. The role and resources of national and university repositories. Report and discussion document Society of Archivists/Standing Conference on National and University Libraries, 1989 80 pp. £6 Electronic records management and archives in international organizations: a RAMP study with guidelines Charles M. Dollar Paris: UNESCO, 1986 (PGI‐86/WS/12) iv + 160 pp. How to manage your records: a guide to effective practice Edited by Peter Emmerson Cambridge: Institute of Chartered Secretaries and Administrators, 1989 ix + 190 pp. £27.50 Records management handbook Doncaster: Fellowes Manufacturing (UK) Limited, 1988 20 pp. Les archives des entreprises. Conseils pratiques d'organisation, 2nd edition Isabel Guérin‐Brot Paris: Archives Nationales, 1989 87 pp.60F A guide to tracing the history of a business John Orbell Aldershot and Brookfield, Vermont: Gower, 1987 x + 116 pp. £15 Aus der Arbeit der Archive. Beiträge zum Archivwesen, zur Quellenkunde und zur Geschichte. Festschrift für Hans Booms Edited by Friedrich P. Kahlenberg Boppard am Rhein: Harald Boldt Verlag, 1989 xxii + 988 pp. DM96

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Wiarygodnosc archiwów cyfrowych
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W artykule dokonano przeglądu definicji pojęcia archiwum cyfrowe oraz przedstawiono typologię funkcjonujących archiwów cyfrowych. Zwrócono uwagę na odmienność archiwów instytucji pamięci i archiwów sektora biznesu bądź administracji. Szczegółowo omówiono problematykę oceny wiarygodności archiwów cyfrowych i wymieniono cechy identyfikacyjne, zapewniające im status serwisów wiarygodnych. Artykuł ma charakter dokumentacji dotychczasowych ustaleń w zakresie procesów organizacji, funkcjonowania, audytu i certyfikacji wiarygodnych archiwów cyfrowych. Ustalenia te są efektem międzynarodowej współpracy takich organizacji i instytucji, jak: DCC — Digital Curation Centre, OCLC - Online Computer Library Center, RLG - Research Library Group, NARA - National Archives and Records Administration, NESTOR - Network of Expertise in Long-term Storage of Digital Resources oraz CRL - U.S. Center for Research Libraries. Są one dostępne w dwóch wersjach językowych; angielskiej: Trustworthy Repositories Audit & Certification. Criteria and Checklist (TRAC), oraz niemieckiej: Kri- terienkatalog vertrauenswiirdige digitale Langzeitarchive.

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Saliu Salvador Ramos das Neves, a Nineteenth-Century Yoruba Muslim in the Black Atlantic
  • May 1, 2024
  • History in Africa
  • Lisa Earl Castillo + 1 more

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  • 10.1017/hia.2025.3
Editors’ Introduction
  • May 1, 2024
  • History in Africa
  • Lorelle Semley + 3 more

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  • 10.1017/hia.2024.6
Law and History in Angola: The Collection of Court Cases in the Benguela District Court (1850–1945)
  • May 1, 2024
  • History in Africa
  • Mariana P Candido + 2 more

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