Abstract

Consider these three descriptions of Plato's Symposium from Stanley Rosen's Plato's Symposium, J. E. Raven's Plato's Thought in the Making and M. Bakhtin's Discourse in the Novel, which reveal the widely varying estimates of the Symposium: 1. The Symposium is a framed account by recollection within a framed account by recollection. This first frame establishes the seriousness of the entire work.'

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