Abstract
LTHOUGH JEAN COUSIN THE ELDER (ca. 15oo-ca. 1560) was a central figure of the French Renaissance, few firmly documented sheets by his hand survive, and the appearance of a new one is a noteworthy event. The Metropolitan Museum of Art was fortunate to acquire last year a well-preserved and previously unpublished' compositional study by this rare draftsman (Figure 1). It had already been attributed to Cousin at the time it was offered to the Museum2 and has not been
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