A história da escola estadual Jonas Belarmino da Silva no distrito Culturama: apontamentos históricos (1988-1998)

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O presente artigo apresenta os resultados de uma investigação realizada sobre a história da Escola Estadual Jonas Belarmino da Silva, localizada em Culturama, Distrito de Fátima do Sul, Estado de Mato Grosso do Sul, no período de 1988 a 1998. Para tanto, buscou-se reconstruir a história desta escola pública, por meio da análise do movimento de sua criação e instalação no Distrito de Culturama com ênfase em sua Proposta Curricular. Está pautada em documentos legais, tais como: LDB 4.024/61 e suas reformas - Lei 5.692/71 e a nova LDB 9.394/96. A pesquisa bibliográfica constituiu-se de leituras ligadas à História, à História da Educação, e Historiografia da educação Brasileira. As fontes documentais escritas foram coletadas nos documentos arquivados da Escola. A opção pela referida escola se deu enquanto estagiária do Programa Vale Universidade e por não haver registros sobre a história da instituição.

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In 2014, South Africa celebrated 20 years of democracy. Within these 20 years of democracy, there were many changes in the education sector. The teaching of history, particularly South African history, has survived many challenges during and after apartheid. During the apartheid era, to a certain extent the teaching of South African history was subjected to political abuse and became a springboard of politicians to justify the existence of the racial divide that had previously engulfed the country. Equally, the study offers critical and epistemological criticisms levelled against the teaching of South African history in secondary schools in the post-apartheid era. The selected criticisms include, inter alia, the question of the relevance of history in post-apartheid South Africa; the limitations of further political abuse of the discipline by educators, as well as the politicians; the lack of analytical skills in the teaching and interpretation of historical facts; and the notion of further perpetuating the racial divide in the country which was once riddled by such divisions. Epistemologically, earlier selected criticisms which took place during the apartheid era will also be referred to, to demonstrate that the teaching of South African history has always been subjected to criticisms that advantaged the then ruling National Party’s (NP’s) government in South Africa. DOI: 10.5901/mjss.2014.v5n20p2303

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  • 10.1057/9780230610460_6
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The "Art in America" Radio Programs, 1934-1935
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Introduction Radio burst on American scene in 1920s and 1930s, and virtually every cultural and commercial interest sought to promote themselves through airwaves. Not least of them was art community, which produced several series of radio programs on art. The radio series Art in America aired on Station WJZ, New York, in 1934, and it was heard also on West Coast in 1935. These programs constituted a complete audio correspondence course that was used in homes, schools, and colleges. Seventeen broadcasts featured American art history, including modern art, along with programs in arts of theatre set design, filmmaking, architecture, and city planning. The Art in America broadcasts were programmed in two parts. Part one focused on various artrelated topics during years from 1650 to Civil War. Part two, series discussed here, covered years from Civil War to 1930s. The history of rapid expansion of radio industry bears an uncanny resemblance to all-consuming expansion of computing, telecommunications, and art education in late 20th century. To understand parallels between these two eras in history is to understand better relation of art education to mass media. This article examines first nationally broadcast art program and its cultural and social impacts. Since this article is also about rapid development of radio as set within context of all mass media and art education, discussion includes collaboration of museums, broadcasting, and philanthropic organizations that made Art in America programs possible. All influences of these educational agents are brought to focus by what Harris (1990) termed public taste, defined as the aesthetic knowledgability, experiences and preferences of entire population (p. 57). Unfortunately, little has been written about Art in America project, which is surprising considering advancements programs signify for education, art, and broadcasting. The history of project drew upon histories of diverse educational institutions, with history of radio as only one component (Covert, 1984). Cremin's (1988) history of education also included histories of informal education from press, radio and television, libraries, and museums, along with formal education in schools. These histories of mass media and of education depict a broad scope of sources for formal and informal learning, and Art in America programs show this overlap of effort in broadcasting and philanthropy as popular education. Likewise, this article reaches beyond histories of art education with their emphasis on formal schooling. The examination of learning outside schools from informal educational institutions reveals not only a wealth of education extending beyond schools, but also shows conditions that influenced what people learned in many institutions, including schools. It would seem a mistake, then, to pronounce educational effects of, perhaps only radio, or only schools, without including their partnerships with other cultural institutions (Cremin, 1988). Several histories provide valuable context for Art in America programs. Bolin's (1989) history of art education on radio discusses several programs on art education broadcast between 1929 and 1951 in Ohio and Buffalo, New York to such national broadcasts as Art for Your Sake, which aired on Columbia Broadcasting System. Bolin concludes that broadcasts show a continuance of art education's picture study movement well into 20th century, which includes Art in America programs and illustrated supplements. He states that Art in America programs were first national broadcasts on art, and probably most elaborate art educational effort on radio. Other histories of art education bear no mention of Art in America programs (Logan, 1955; Wygant, 1983; Efland, 1990). Neither are Art in America programs mentioned in histories of mass media by Barnouw (1966-70), Covert and Stevens (1984), MacDonald (1979), or Smith (1983). …

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  • Research Article
  • 10.4025/rbhe.v17n2.877
Balanço sobre a historiografia do ensino profissional paulista (meados de 1880 a meados de 1940)
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A survey of the historiography of professional education in the state of Sao Paulo, Brazil, has been undertaken by analyzing several books on the theme published between 1986 and 2003. The contents of books between mid-1880 and mid-1940 have been examined to check how production on the history of professional education is related to the History of Education. In spite of the deep relationship between their characteristics, the historiography of professional education failed to experience the renewal that occurred in the area of the History of Education derived from the New Cultural History. This aspect may be partially due to the predominance of analysis based on the qualification requirements for industrial development.

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  • 10.24908/eoe-ese-rse.v7i0.606
History and Historiography of Education: Some remarks on the utility of historical knowledge in the age of efficiency
  • May 14, 2008
  • Encounters in Theory and History of Education
  • Daniel Tröhler

A difficult heritage has been attached to the history of education since its beginnings as a field of study. History of education is as a rule nationally oriented and/or constructed as a linear history of progress. The philosophy of language distinction between ‘paroles’ and ‘langues’ is seen as a methodological route out of these limitations.Taking the example of a currently widely discussed thesis on the connection between notions of societal progress and expectations of education, this paper shows how history can be understood as a struggle between the individual (transnational) ‘langues’ for public dominance. The paper concludes by pointing out how historical knowledge is important for the theoretical discussion and for efficient school policy.

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  • Cite Count Icon 28
  • 10.1080/00220272.2015.1122091
English history teachers’ views on what substantive content young people should be taught
  • Dec 18, 2015
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  • Richard Harris + 1 more

Public and policy discourse about the content of history curricula is frequently contested, but the voice of history teachers is often absent from such debate. Drawing on a large-scale online survey of history teachers in England, this paper explores their responses to major curriculum reforms proposed by the Coalition government in February 2013. In particular, it examines teachers’ responses to government plans to prescribe a list of topics, events and individuals to be taught chronologically that all students would be expected to study. Nearly 550 teachers responded to the survey, and more than two-thirds of them provided additional written comments on the curriculum proposals. This paper examines these comments, with reference to a range of curriculum models. The study reveals a deep antagonism towards the proposals for various reasons, including concerns about the extent and nature of the substantive content proposed and the way in which it should be sequenced. Analysis of these reactions provides an illuminating insight into history teachers’ perspectives. Whilst the rationales that underpin their thinking seem to have connections to a variety of different theoretical models, the analysis suggests that more attention could usefully be devoted to the idea of developing frameworks of reference.

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Historiography of Education and Pedagogy in Colombia
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  • Paedagogica Historica
  • Alejandro Alvarez Gallego

This article reviews the most significant advances in research into the history of education in Colombia. It is structured around the theoretical and methodological ideas that have influenced approaches to the subject. Three broad groups are identified. Episodic and apologetic history is the name given to the earliest writings, which tended to be highly descriptive. This group is most appreciated for the abundance of data produced, which are useful as documentary sources. The second group, denominated social history, is very much influenced by Marxist theory and by the Mew History. Its most important contribution has been an integrated view of education and a shift towards the intellectual terrain of general historians. The third group, denominated history of pedagogical practices, emerged from the struggle of the teaching profession to defend its professional status. Inspired by the ideas of Foucault, it concerns itself with the identification of pedagogy as afield of knowledge and with the links between pedagogy and power.

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