Abstract
This article explores the Silk Road, one of history’s most significant trade networks that bridged China and the West. The route fostered a vibrant cultural exchange, visible in the art and ornamental patterns that developed along its path. This study provides a cross-cultural perspective on ornamentation within the Great Steppe, particularly focusing on Kazakh baskur—a decorative band traditionally used in nomadic dwellings. Examining the symbolic and functional roles of baskur, the paper highlights both its artistic legacy and its broader cultural impact across the Silk Road region.
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