Abstract
ABSTRACTAtlases of anthropometric portraits—a scientific genre that emerged during the last quarter of the nineteenth century in the context of classical physical anthropology—invite readers to compare different races from all over the world. Concentrating on Bernard Hagen's Atlas of Heads and Faces of Asian and Melanesian People (1906), this article describes the apparatus that enabled such a way of viewing. A microanalysis of Hagen's facial atlas reveals the circumstances under which the portraits were produced, the reading strategies the atlas stimulates, as well as the reification of data through their circulation. It shows how precisely a facial atlas could function as an imperceptible interface between harsh colonial practices and German public support for colonizing “missions,” between individual subjectivity and racialized category, and between everyday colonial recognition and scientific analysis of “races.” Obscuring the apparatus facilitating such a vision naturalizes the position of a viewer surveying, analyzing, and comparing people of different geographic backgrounds as races. [colonial history, photography, face, racial science, Dutch East Indies]
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