4차산업혁명이 낳은 융합예술 디카시의 메타포에 관한 연구

Abstract

As the origin theory of Dicash, I place it in the theory of the yin and yang of the East. Therefore, while the philosophical ideas expressed in Dicash are based on the idea of Cheonji, the idea of Cheonji was verified by limiting it to the collection of Dicapoem published within three years. “Dicapoem a combination of the digital camera Digital pixel, picture element and Poem, is an independent genre of competitive fusion art that overtakes Photo Poem and walks the cutting edge of the Fourth Industrial Revolution. It has been listed as a new literary term in the Korean language spring of the National Institute of the Korean Language.” In the digital age, poetry is accepted in various ways from writing art to video language, but it can be said that decasi is unique and representative in writing poetry using digital cameras as a tool. Photographic poetry has a history of about 200 years. Dicapoem an independent genre of convergent art, has a history of over 20 years. The founder of decasi was Professor Lee Sang-ok. In addition, since the publication of the first digital poetry collection Lee Sang-ok's 『Goseonggado (Hall of Literature, 2004』 in 2004, discussions on decasi have spread not only in Korea, but also in Asia and around the world. Conventional photographic poetry is an analog method that combines photography and poetry. On the other hand, decasi is a digital method that combines digital cameras and poetry. The text was a collection of digital poems by three people, Lee Gyeong-soon, Son Gye-guk, and Kim Sun-mi. Each of their decasi collections was made in connection with the Cheon In-ji ideology. I described with an emphasis on the scalability of Dicapoem. As digital literature, Dicapoem can be said to be a gift of God born by the digital revolution, and it can be confirmed that Dicapoem expresses the metaphor of 'the sky', 'people' and 'the land'.