Abstract

Synthetic lead carbonates, cerussite and hydrocerussite, have been used for artistic and cosmetic purposes since Antiquity. Commonly known as lead white, the recipes for the manufacture of this pigment are recounted in many treatises on painting. Depending on the period considered, these two lead carbonates are derived either from a corrosion process or from industrial methods. In both cases, a carbon input, mainly CO2, is necessary to complete the synthesis of this pigment. Its origin depends on the historical period: initially, CO2 came only from microbial activity or the fermentation of organic matter, and from the 19th century on, it was derived mainly from fossil materials. Thus, lead white mainly acquires a 14C and 13C isotopic signature that reflects, to the nearest isotopic fractionation, the nature of the reactants used in its synthesis. In this article, we study the carbon isotopic signature of synthetic lead carbonates by Accelerator Mass Spectrometry (AMS) and Isotopic Ratio Mass Spectrometry (IRMS) through a large corpus of lead whites, composed of reference materials (known manufacturing processes) and of archaeological or museum collection pigments (unknown synthesis). Results show that the 14C content discriminates the manufacturing processes of lead white according to the organic or fossil origin of the CO2 source, and provides absolute dates when pigments are produced by the corrosion of metallic lead in a natural fermentation medium. In addition, δ13C values identify the CO2 source more precisely. This study based on the combination of 14C and 13C data from lead carbonates provides information about the ingredients involved in the synthesis of lead white pigment and demonstrates a good correspondence between the carbon isotopic signature of lead carbonates and the descriptions of lead white recipes in the historical literature.

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