Abstract
aberrant movement that Gilles Deleuze wanted to describe represents `unclosed` or `unlimited` possibility; it also means that a being has unlimited virtual power until it turns into a thing. In this paper, I analyzed and classified Dialogue Factual,one of the animation films by Jan Svankmajer, based on the logical grounds by Gilles Deleuze. First, as a result of analysis according to the seven characteristics in the experimental animation by Paul Wells, `Dialogue Factual` has all of the features in the experimental animation, and, as I have found, the analysis through a comparison with Carl Dreyer`s The Passion of Joan Of Arc indicates the works by Jan Svankmajer do not conform to Sensory-motor schemata. Such aberrant properties are involved with the time-image by Gilles Deleuze; by comparison with Lavender Mist No. 1, one of the artworks by Jackson Pollock, it has been confirmed that crystal image, the important concept of the time-image, is inherent in Dialogue Factual. Lastly, the analysis of shots suggests that the movement-image and the time-image coexist in Dialogue Factual. However, they are not to be classified by a clear-cut dichotomy.
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