Abstract
The article examines furniture items of the Russian and neo-Russian styles stored in the funds of Rostov, Novocherkassk and Taganrog museums. The items, not numerous but typical of their time, clearly show the evolution of national style furniture from eclecticism to modernism. The comparative, stylistic and iconographic analysis of the construction and décor has allowed the researchers to suggest and justify attribution hypotheses, to clarify the dating and to ascertain the authorship of the analysed works.
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