Abstract
The concept of the ultimate bases of culture is investigated. Specifi cs of transgressive consciousness as a cultural and historical phenomenon are revealed. The inadequacy of the reduction of the transgressive experience to the act of transgression is substantiated. The integrating functions of the transgressive consciousness are shown on the actual and theoretical material contained in M. Bakhtin’s study «The Creativity of Francois Rabelais and the Folk Culture of the Middle Ages and the Renaissance».
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