Abstract
In the research work, we rely on the assumption that the similarity of the musical features of the melodic rhythm of the Kazakh tune with the leitmotif of the rock opera genre is closely related to the development of domestic musical synthetic genres and the process of bringing the theatrical worlds of the national style to the world stage. For this reason, understanding this phenomenon from a scientific point of view provides an excellent opportunity to enrich and expand the stylistic diversity of domestic musicals, thereby increasing the likelihood of appealing to the audience's taste
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