Abstract
The research aims to reflect on specificity of generative poetry, its place in contemporary postmodernist culture. Scientific novelty of the research lies in studying neural lyrical poetry and its forerunner, cybernetic poetry, which has been cultural reality since the second half of the XX century, as phenomena of contemporary literary process in the context of postmodernist aesthetics. As a result, it is proved that the phenomenon of neural lyrical poetry logically fits into contemporary cultural process: prerequisites for cybernetic art development appeared in philosophical reflections and artistic experiments of the modernists; almost all the principles of postmodernism are absolutised in aesthetics of neural art. Consequently, neural literature will inevitably develop as a movement in which trends of technologisation of art and aestheticisation of technologies, co-authorship of the artist and artificial intelligence are realised.
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