Abstract
The article examines mechanisms of representing the pilgrimage motive in M. Yunys’s prose. Choosing pilgrimage as a communicative strategy, M. Yunys consistently rehabilitates the tradition of national identity. His pilgrimage, conventionally considered as escape from the empire, actualizes an alternative tradition of protest within the framework of the Soviet ideological discourse. Implementing the pilgrimage motive, the author reveals the key conception of his creative work - sacrificial love for his people continuing the tradition of the Tatar literature of the beginning of the XX century.
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