Abstract
The research is devoted to the study of Huang Ji’s chamber vocal work. The paper aims to reveal the functions of musical intonation in modelling the image of a man in the composer’s chamber vocal work. The scientific originality of the research consists in determining the functions of musical intonation in reflection of the world of a man in the composer’s vocal works. As a result, it has been concluded that the blending of the elements of European and national style is subordinated to the exploration of universal philosophical topics that bother the composer. The musical intonation performs symbolic and modelling functions in the process.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
