Abstract
The article is devoted to folk singing terminology associated with multipart singing in Russian regional musical and folklore traditions. This terminology reveals a systemic character, since it directly correlates with the terms denoting the intonation types characteristic, on the one hand, of a broad (protyazhnïy) style of singing, a clear representative of which is the genre of lyrical songs, and on the other hand, of lamentable intonation, which is due to the desire to emphasize the personal nature of the expressed feelings. The article discusses the types of multipart texture and functions of singers in an ensemble which have received terminological designations.
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