Abstract
The article analyzes cultural development in the first post-revolutionary years. It examines a short but extremely meaningful period when, in an atmosphere of revolutionary enthusiasm, nihilists from art try to destroy the pillars of realism and create new, proletarian art. In the context of the revolution rejection and the emigration of the creative intelligentsia of tsarist Russia, as well as due to the involvement of RCP(b) leadership in the fronts of the civil war, the struggle for an aesthetic monopoly unfolds among artists of leftist movements.
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