Abstract
The article is related to the study of intertextuality as a means of generating and expressing meanings in fiction text. The intertextual analysis of David Lodge’s campus novel ‘The British Museum is Falling Down’ proved that an intertext can act not only as a means of creating language game, parody, pastiche, irony and comedy, but also, due to its double reference, as a means of generating and expressing new meanings, including the novel’s dominant meanings.
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