Abstract
The article is devoted to the relevant problem of tonal dramaturgy in modern domestic music, which is analysed by the example of G. Dmitriev’s concert music for flute and chamber orchestra “Sybil”. The paper identifies and describes the peculiarities and techniques of its tonal dramaturgy that are typical of the composer’s orchestral style. Providing a detailed analysis of the musical text, the researcher concludes that “Sybil” manifests the key principles of Dmitriev’s orchestral style, which the composer himself defines as “dialogic dramaturgy” and “author’s commentary”.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
