Abstract

Based on the sketches for the symphonic poem A Hero’s Life, the article examines how Richard Strauss developed its concept. The analysis of Strauss’ drafts identified four stages in his work on the composition. It was found that over the course of the four stages the original composition underwent significant changes. According to the composer’s orig- inal idea, the movement about the hero’s adversaries and critics (the develop- ment section of the poem) is followed directly by a love scene thus romanticis- ing the symphonic action. According to Strauss, love was the Hero’s source of power and inspiration. However, the original plan of the composition changed: the love scene became part of the exposition section and preceded the battle, while the Hero found his ‘lifeblood’ in creativity. Strauss used quotes from his own works to deliver this message to the audience. The analysis revealed the dynamics of changes in the development of the author's concept. The findings provide a new perspective on the relevance of compositional elements in the final version of A Hero’s Life.

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